As a photographer, I pay attention to the specific, the unplanned, and the details of the people I photograph. My interest begins with people and their interactions: I notice the distinction between blending into a crowd and standing out as an individual. Details such as a wrinkled coat, a turned shoulder, or a trembling hand often reveal more about a person than words can. Even when a shot is unplanned, perhaps out of focus or blurred by movement, these elements become part of the storytelling, reflecting the vitality of my subjects.

My interest in photography as a form of storytelling began with Brandon Stanton’s Humans of New York, where he pairs images with brief excerpts from personal stories. I am also influenced by Soul Leiter’s philosophy, which holds that the real world has more to do with what is hidden than with what is revealed. 

These influences inspire me to observe, wait, and document moments that reveal hidden scenes, whether by capturing activity or subjects who stand in contrast to their surroundings. This perspective shapes how I notice not only outward actions, but also the emotional content of people who share space yet live in solitude. By focusing on expressions of longing, pride, or uncertainty on people’s bodies, I hope these photographs convey genuine emotions that reveal each individual’s unique spirit.